There's something rather awful about mailing a letter, one that I've glued and glittered all over so its own Mama Factory couldn't recognize her flat, lily-white envelope-baby. I had two decorated letters: a black typewriter overlaid with purple-pink stripes and Marilyn Monroe, with yellow chick borders that match the platinum wave of hair that threatens always to break over her "alabaster forehead" (sentimental novels, I thank you!). They looked so pretty and decorative on my windowpane, waiting patiently as I poured tight blue words onto thin paper.
It was a relief to walk out of the warm orange toy store today and greet the pale blue sky and grey buildings, just enough color bleached out of them to make them skeleton-interesting and somehow more real than the splashes of color and permanent smiles and made-in-China that I left behind me. Those letters quivered in my bag like puppies, the three of us on a quest to find a place that sold Overseas Stamps.
I think they were nervous but anticipatory. I was nervous and anxious. It's always easier for the one leaving than the one left behind, even if the former has nothing but the future and the latter has everything, especially the past. This is probably truer when applied to something that isn't words, glue, wishes and paper.
I finally found a little shop, squashed beside a place that sells organic yogurt and pornographic magazines, hidden by a hotdog stand with a rainbow umbrella. An Arab man sold me the stamps and his eyes were like quivering bowls of ink, his smile a scimitar that pursed into itself when I only wanted stamps and just two at that.
Then I kissed them ("mentally," as Jane Eyre explains to her Reader(Imarriedhim), "let it be understood. I did not [do anything crazy aloud except shove them into the mail-slot extra quick") and sent them on their way. On their quests to find specific princesses, strawberries, ghost girls and halloween candy.
Good for 'em, I say.
Float me a feather













